Restore America’s Estuaries concerns about recent changes to the definition of Waters of the United States (WOTUS) for environmentl proctection.

Wetlands and streams in 24 states will be threatened if no action is taken.

Restore America’s Estuaries (RAE) is raising urgent concerns about a new rule proposed by the U.S. Environmental Protection Agency (EPA) that would significantly roll back federal protections for wetlands and streams across the country. The proposal follows the 2023 Supreme Court decision in Sackett v. EPA, which overturned decades of established precedent under the Clean Water Act and sharply limited the scope of Waters of the United States (WOTUS).

In compliance with the Sackett decision, EPA has released a proposed rule that narrows federal oversight by removing protections for intermittent streams and wetlands connected through subsurface groundwater. These waters represent some of the most ecologically important freshwater sources feeding America’s estuaries, supporting water quality and natural flood defenses.

Currently, 24 out of 50 states rely on federal WOTUS protections for clean water enforcement of wetlands and streams. If this proposed rule becomes finalized, close to 80% of wetlands and over 5 million miles of streams would lose their protected status. Because most watersheds cross multiple state boundaries, this fragmented approach would create inconsistencies, weaken enforcement, and push environmental protections toward the lowest standards within the watershed. Federal policy must play a critical role in ensuring that states don’t export their pollution problems onto other states. History has shown the human and ecological costs savings of prevention are much greater than the costs of remediation.

“Eliminating safeguards for these critical waters puts our communities, coastlines, and ecosystems at extreme risk,” said Daniel Hayden, President and CEO of Restore America’s Estuaries. “Weakening these protections jeopardizes our drinking water quality, billions of dollars in coastal industries such as fisheries, boating, and shipping, as well as endangers critical infrastructure with increased upstream pollution.”

RAE urges federal leaders to reconsider the proposed rule and for Congress to clarify the legislation by restoring strong, science-based protections for wetlands and streams nationwide.” Source here.

About RAE.

Restore America’s Estuaries is dedicated to the protection and restoration of bays and estuaries as essential resources for our nation.

In Memory of Jon Beedell of the Desperate Man Theatre Company, Bristol, UK. The Peri and Proxi (tides made flesh) story. Circa Bristol 2015 – 2017.

14. 12. 2022

Like many others I am so shocked and saddened by the death of Jon Beedell. I was lucky enough to be involved in various enterprises with Jon and The Desperate Men. Deepest sympathies to all his family, friends and colleagues. As a tribute please I have assembled as much of the fabulous Proxi and Peri films and photos that I can find.

Please note this was a large creative enterprise running over a few years in Bristol approx. 2015 – 2017, with input from various individuals and organisations.

Here is information from the Desperate Men website as a screen shot.

Please also note that much of this is also on the My Future My Choice, Bristol Loves Tides website here. But other films and photographs filmed for the Towards Hydrocitizenship: Water City Bristol Project are also included.

Special credit is due to:

Richard Headon who is co-artistic drector of Desperate Men with Jon Beedell, and who was Proxi to Jon’s Peri

Hugh Thomas of My Future My Choice

Nathan Hughes / Roung Glory Films who made most of the films below.

Antony Lyons /Nova Arts who were creative inspirations at the outset.


Proxi & Peri: One Last Job. Film 1

Proxi and Peri, ‘the tides made flesh’, are compelled by the moon, to venture up the River Avon to remind the people of Bristol of the importance of tides to the heritage, history, and possible futures of their city. Redoutable blue-collar workers, they’ve successfully managed the second largest tidal reach in the world since the 1607 Tsunami, but must complete one last job before retiring to the Mediterranean. Commissioned by My Future My Choice for Bristol Loves Tides – a European Green Capital 2015 flagship project raising public awareness of hydro-citizenship (ecologies of people, water and cities). Made in association with the Towards Hydrocitizenship AHRC project and NOVA arts.

This video has to be watched on Vimeo – click on the image below to do that.


Proxi & Peri: Syzygy Oath on Bristol Docks (2015): Film 2

Proxi and Peri Proxi and Peri (Tides Made Flesh) arrive in Bristol on the syzygy (a nearly straight-line configuration of the sun, moon, and earth during a solar or lunar eclipse) to be welcomed by the Mayor. They lead the assembled throng in a tidal oath, present 10 tidal ambassadors with special objects and charge them to conduct important research. Launch event for Bristol Love’s Tides – a flagship, Bristol European Green Capital 2015 project featuring Desperate Men as P&P.

This video has to be watched on Vimeo – click on the image below to do that.

This is a shorter version, just of the oath.


Proxi & Peri: Ebb of Life. Transcript: Film 3


Proxi & Peri: No Rest For The Fluid. Film 4

Proxi and Peri, ‘the tides made flesh’ wake on a bleak shore, surprised to still be human, as they anticipated a well-earned retirement managing marginal Mediterranean tides. They cross a hostile landscape to ask the moon why she reneged on their deal, and argue the pros and cons of being human en route. Commissioned for Bristol Loves Tides, the film pays homage to buddy movies and Spaghetti Westerns to raise questions about our highly problematic relationship with non human systems.

This video has to be watched on Vimeo – click on the link below to do that.


Short Films

Proxi and Peri Ask about the Various Tidal Themes

The tides have been put into human form by the moon and are on a quest to find out how Bristol values its tides which are the highest of any city in the world. This film explains the six themes that they challenge young people to find out about.


Proxi and Peri ask about Heritage


Proxi and Peri ask about Water


Proxi and Peri ask about Bio Diversity


Proxi and Peri ask about Energy


Proxi and Peri give their Scores


Peri Sings a Song


Extracts form Tidal Turnings: The Continued (Bristol) Adventures of Peri and Proxi


Photographs of Events

Album of photographs of Proxi and Peri at the Benjamin Perry Boathouse, Bristol Docks, 2015

Click on image below to see all photos


Photos of World Water Day Event 2015

P1010278

Click on image below to see all photos

P1010281

Related academic article

By Owain Jones and Katherine Jones

On narrative, affect and threatened ecologies of tidal landscapes

A chapter in the book Methodological Challenges in Nature-Culture and Environmental History Research. 2016; editors Jocelyn Thorpe, Stephanie Rutherford, L. Anders Sandberg

Chapter abstract

This is a story about tides, about tides in Bristol, about two characters that were found in the mud of the Severn Estuary-Peri and Proxi. It is also a story about telling stories as a method for the creative accounting of eco-social histories, presents and futures, and material and non-material entanglements of such through space-time. And it is a story about loss: of ecologies, of ecocide, of getting lost, and of finding a way through stories. As so much of life is, this is an experimental mixing. Tides mix things-fresh

and salt water, land and sea. In unsettling boundaries and definitions, they invite a focus on inter-relationships, and on flux and change. Intertidal landscapes are in constant motion, change and cycles, denying fixity and stasis. As such, they unsettle both linear thinking and linear understanding that, in spite of movements to break away from them, continue to shape historical and geographical accounts in many areas of thinking. This chapter is tidal in its approach-ecological. It tells stories of stories

through the tides, an ebbing and waning, from solid to fluid and back again with all that comes in between. It embraces the constant motion of life and understanding, and attempts to bring this into a textual representation. In short, it is a story of an ecological approach to eco-social storytelling.